By 1990, Johnny Cash had released enough albums to fill a library. Boom Chicka Boom sounds so unmistakably like him that it makes it seem as though that kind of prolific recording career was easy.

It’s a fairly straightforward country record, built around his unmistakable baritone, steady rhythms and conversational approach to storytelling. There’s nothing particularly groundbreaking happening here, but Cash sounds comfortable in this setting, moving between humor, social commentary, and traditional country storytelling.

There’s plenty of familiar Cash territory on “A Backstage Pass,” a humorous story about finding himself backstage at a Willie Nelson concert. Cash lets his personality carry the song. He also takes on Harry Chapin’s “Cat’s in the Cradle,” giving the familiar song a different feel with his slower, steady country gallop. His gruff delivery brings out a different emotional tone that is just as effective as the original.

Cash hasn’t abandoned his interest in social issues, either. “Don’t Go Near the Water” takes aim at environmental destruction, bringing a little of the moral urgency found in some of his earlier protest songs. Meanwhile, Elvis Costello’s “Hidden Shame” feels like a natural fit for Cash. His voice and storytelling style make the song feel right at home in his repertoire. “Monteagle Mountain” takes us into more familiar blue-collar territory, following the story of a truck driver, with a memorable guitar hook helping give the song some extra character.

The album has its share of other enjoyable moments, too. “That’s One You Owe Me” has that classic slow-bouncing Cash rhythm and conversational delivery, while “I Shall Be Free” gives the guitar work a chance to shine. “I Draw the Line” adds another playful moment to the collection.

Throughout, Cash sticks to a traditional sound that suits him, with the musicians providing just enough variety to keep it all moving.

Boom Chicka Boom shows that Cash is still a terrific storyteller, and his familiar combination of classic country and that unmistakable voice makes for a thoroughly enjoyable record.

Verdict: Solid

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