Yeah Yeah Yeah (2026)

This album lets you know exactly what it wants to be almost immediately.

The opening riff feels pulled straight out of classic The Rolling Stones territory, and from there the album leans confidently into a sound built on Britpop, straightforward rock hooks, touches of psychedelia, and a little roots-rock swagger.

What makes the record work is how completely committed it is to that approach. There’s no sense that the band is trying to reinvent rock music or deconstruct its influences. The goal here is simpler than that: write big, catchy songs that feel good to play loud.

And they succeed.

The album moves with a real sense of momentum early on. “Poison Vine,” “Don’t Look Away,” and “Calling Out Your Name” come flying out of the gate with sharp riffs, uplifting melodies, and choruses that feel built for crowded rooms full of people singing along.

“Free Love” briefly shifts things into a more psychedelic space, slowing the pace just enough to keep the album from becoming one-note before everything builds back up again.

“Teardrops” ended up being one of the highlights for me. It starts in a more restrained place before gradually expanding into something triumphant and emotional without losing the album’s core sense of energy.

That’s really the biggest strength of the whole record. Even when the songs drift into more reflective or atmospheric moments, the album never loses its sense of movement. There’s always another hook waiting around the corner.

More than anything, this just feels like a confident rock album made by a band that understands exactly what they’re good at. Strong melodies, memorable riffs, and enough attitude to keep everything moving forward.

It’s not trying to reshape the genre. It’s just trying to make great rock songs, and for the most part, it does.

Verdict: Solid

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