
All Her Fault has enough twists and questions to keep you watching, but exaggerated drama and a lack of subtlety made getting to the answers a struggle.

Ted Lasso returns with new players and a new challenge, but the same warmth and humor that made me love it in the first place.

An aging boxer and a six-year-old boy find themselves on opposite sides of believing in wishes, magic, and hope.

Ride or Die mixes action, comedy, and a hidden world of assassins into a fun ride powered by a solid cast.

House of the Dragon delivers its most entertaining season yet while questioning the glory, power, and purpose its characters seek through war.

A violent outlaw is ripped out of 1880 and dropped into 1960 in an episode that seems more interested in culture shock than a meditation on crime and punishment.

An implausible thriller powered by relentless momentum and an endless supply of outrageous twists. It works despite its flaws.

Ride or Die combines action, comedy, mystery, and world-building into a premiere that’s far more entertaining than its marketing suggests.

A clever science fiction premise explores fear, trust, and the unsettling possibility that people really are alike all over—for better or worse.

Messy, implausible, and surprisingly addictive, I Will Find You is the television equivalent of a bag of potato chips.