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Eyeball (2026)
New awesome They Might Be Giants stuff.
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Fantastic Four #3 (Mar 1962)
The monsters are becoming superheroes.
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the Wrecking Crew (2026)
A throwback action flick that knows what kind of movie it wants to be.
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Visitor (2026)
An atmospheric and moody album that was made for headphones.
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A Baby, A Blanket, A Packet of Seeds (1990)
Short, sharp indie rock with rough punk edges, clever lyrics, and more catchy hooks that you would expect.
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30 Minutes to Get Back: Episode 3
From friction to “Get Back”
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Tales To Astonish #27(Jan 1962)
Hank Pym debuts in a sci-fi horror story before anyone knew he was going to be a superhero.
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The Twilight Zone “Mr. Denton on Doomsday” (1959)
Second chances come with a cost in this Twilight Zone Western.
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The Sweet Keeper (1990)
Thoughtful and well-crafted folk-pop.
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Cape Fear (1962)
Lean, psychological suspense anchored by a terrifying restrained performance.
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Fantastic Four #2 (Jan 1962)
The Fantastic Four walk the line between pulp sci-fi and superhero action.
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The Twilight Zone “One for the Angels” (1959)
A heartfelt early entry that finds tenderness in the face of inevitability.
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Prey (2022)
The Predator lands on Earth (because of course it does), and this time the movie wisely keeps things simple, tense, and satisfying.
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Happy New Year (2026)
Brisk guitars, sharp wit, and a party soundtrack for people who never go to parties.
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101 Damnations (1990)
A loud mix of abrasive punk attitude, inventive electronic beats, and strange, subversive humor.
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Fantastic Four #1 (Nov 1961)
The Fantastic Four launch the Marvel Universe.
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The Twilight Zone “Where Is Everybody?” (1959)
A tense, atmospheric debut that sketches the blueprint for the series.
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Jonathan Goes Country (1990)
Country-influenced songs delivered with earnest sincerity while remaining completely unique.
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30 Minutes to Get Back: Episode 2
The Beatles looks back before they can look forward.
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Year of the Dog (2007)
After a personal tragedy throws her routine off balance, a mild mannered woman starts making choices that push her life in unexpected directions.
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Letter to Self (2024)
Loud, deliberate sonic eruptions and defiance that wears vulnerability like a badge.
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Flood (1990)
Infectious hooks, playful weirdness, and depth that catches you off guard – a record that still feels fresh decades later.
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Rental Family (2025)
A quiet, human story with heart – understated, sincere, and emotionally effective.
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When a Flower Doesn’t Grow(2026)
Distorted haze and gorgeous harmonies collide with real emotional weight – urgent, sharp, and hard to ignore.
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A Matter of Time (2024)
A hook-filled, era-blending rock record that knows exactly what it is and delivers.
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Reading, Writing, & Arithmetic (1990)
Dreamy vocals, jangly indie guitars, and a reminder that I’d missed something quietly special.
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30 Minutes to Get Back: Episode 1
The Beatles arrive at Twickenham and find obstacles as they try to recapture their songwriting magic.
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Riverside (1990)
Authentic performances and unfiltered emotion make this a discovery that settled in and stayed with me.
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30 Minutes to Get Back: Episode Zero
Chris and AJ promote their new show on The Wright On Network.
Everything (not really) 