
For the Hulk, anthology storytelling and superhero storytelling still feel like they’re fighting for dominance.

Marvel combines superheroes and atomic age science fiction in a way that works.

Marvel introduces paste — the supreme weapon! More importantly, it starts to understand the value of recurring lower-stakes villains and building a real rogues gallery.

Loki and Asgard return, steering Thor back toward the mythic fantasy storytelling where the series feels most alive.

Fantastic Four #10 is absurd on its face — but it also feels like the moment Marvel’s First Family mythology really starts to come together.

The cold war plot shrinks Thor while Kirby’s art keeps expanding him.

Tales to Astonish #38 introduces Egghead as Marvel learns its heroes are only as good as their villains — even if they’re a little silly.

Marvel is trying to merge superheroes with pulp sci-fi adventure, hinting at the cosmic Fantastic Four stories to come— it just doesn’t know how yet.

Marvel tries its hand at comedy — with mixed results — but shows off its creative flexibility.

Anthology story. Superhero twist. Marvel is still figuring out how to blend these two worlds together.