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Squadron Supreme (1985): The Institutional Revolution
The 1980s transformed superhero comics forever. Before Watchmen and The Dark Knight Returns redefined the medium, Mark Gruenwald’s Squadron Supreme was already asking uncomfortable questions about power, responsibility, and the limits of heroism.
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The Twilight Zone “Mirror Image” (1960)
Reality begins to fracture when a woman encounters her own double.
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Old Henry (2021)
A tense western that patiently builds toward an explosive payoff, anchored by Tim Blake Nelson at the top of his game.
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Beginnings (1990)
A pleasant, slightly quirky blend of synthpop and new wave with a light, melodic touch.
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Amazing Spider-Man #2 (May 1963)
Amazing Spider-Man #2 reinforces what already makes the series unique. Every issue expands Peter Parker’s world with recurring villains, evolving gadgets, and real-life problems. Nothing feels disposable.
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Mercury Goes Direct (2026)
A deeply intimate ambient-folk album carried by a mesmerizing vocal performance.
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No Place Like Home (2024)
A sad, emotionally adrift album disguised as a collection of indie-pop upbeat catchy singles.
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Birdbrain (1990)
One foot in college rock, the other in grunge. Buffalo Tom captures rock music in transition.
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Tales to Astonish #43 (May 1963)
Tales to Astonish #43 takes the best elements of Marvel’s anthology comics—social commentary, relatable problems, and moral resolution—and folds them into a superhero adventure. The result is one of Marvel’s strongest stories to date.
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30 Minutes to Get Back: Episode 9
The Beatles settle into Apple Studios, tune out the tabloids, and rediscover their collaborative spark as I Dig a Pony begins to take shape.
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She Rides Shotgun (2025)
A tense crime thriller that balances danger and heart through a surprisingly effective father-daughter relationship.
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Every Brilliant Eye (1990)
A restless rock album that blends sharp hooks, rough edges, and a willingness to experiment.
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Journey into Mystery #91 (April 1963)
Journey into Mystery #91 isn’t a memorable story, but it quietly adds another layer to Thor’s mythology. Loki settles into his role as Thor’s great adversary, Asgard expands, and the God of Thunder begins sounding like the character readers have known for decades.
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The Bear Season 5 – First Look
The Bear isn’t really about cooking. It’s about people chasing perfection, both on and off the screen. That obsessive attention to detail continues to make it one of television’s most remarkable achievements.
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Singles Spotlight: HYPS
HYPS pairs shimmering dream pop with deeply intimate songs about grief, longing, infatuation, and the complicated ways we hold onto people.
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Singles Spotlight: Parrotfish
Parrotfish pairs massive grooves, infectious hooks, and funk-infused rock with songs that transform everyday frustration into energetic, singalong anthems.
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Singles Spotlight: ggwendolyn
Across three singles, Ggwendolyn proves she has an exceptional instinct for writing massive hooks while never losing sight of the emotional uncertainty that gives them real weight.
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Singles Spotlight: Emily Clare
Drawing from jazz standards, Brill Building pop, soul, and dreamy indie pop, Emily Clare creates songs that feel comforting on the surface while quietly exploring life’s uncertainties underneath.
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The Twilight Zone “Elegy” (1960)
A bizarre frozen world leads to one of the stranger early Twilight Zone twists.
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Concave (2026)
Delaney Bailey pairs intimate indie pop with thoughtful songwriting to create an album that finds beauty in uncertainty, vulnerability, and the unfinished work of becoming yourself.
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Mrs. Dolphin (1990)
compilation that shows both sides of the band — buried pop melodies and swirling, noisy shoegaze.
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Tales of Suspense #40 (April 1963)
Iron Man’s second appearance is still weighed down by Marvel’s anthology storytelling, but the seeds of the character we know today are already taking root. The armor changes because Tony Stark is always inventing something better.
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Always as Young as We’ll Ever Be (2026)
Always as Young as We’ll Ever Be is a warm blend of folk, chamber pop, and Americana that quietly explores letting go, embracing change, and finding beauty in life’s transitions.
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Strange Tales #107 (April 1963)
The fight with the Sub-Mariner is fun, but the real story is Marvel’s growing confidence. Strange Tales is beginning to develop its own artistic identity, and Johnny Storm is becoming a hero with a voice separate from the Fantastic Four.
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Radical Optimism (2024)
A polished dance-pop album that pulls from older pop traditions while staying firmly modern.
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Stick It to Ya (1990)
This feels like a glam metal album that showed up a year late — but it’s fun anyway.
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Tales to Astonish #42 (April 1963)
The plot of Tales to Astonish #42 is disposable. The larger trend isn’t. Marvel’s heroes are becoming more distinct, its artists are finding their voices, and its comics are beginning to care as much about ideas as they do supervillains.
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How It Ends (2021)
A low-budget apocalypse comedy built around conversations, closure, and a surprisingly human journey through the end of the world.
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The Lighthouse (2026)
This album feels timeless and emotionally immersive in a way that completely stops you in your tracks. Easily one of the best albums so far from 2026.
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The Caution Horses (1990)
A beautifully restrained album about heartbreak, longing, and the scars relationships leave behind.
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The Twilight Zone “The Purple Testament” (1960)
War, fate, and survivor’s guilt collide in a somber Twilight Zone episode.
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Fantastic Four #13 (April 1963)
Fantastic Four #13 feels like the moment the series expands beyond superheroes and into something larger, a cosmic adventure that points directly toward the Fantastic Four readers would come to remember.
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The Obsessed (1990)
This feels like a throwback to 70s hard rock, just a little heavier and rougher around the edges.
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Widow’s Bay Season 1 – Final Thoughts
Widow’s Bay surpassed every expectation I had for it, blending horror, comedy, mystery, and suspense into one of the most entertaining seasons of television I’ve watched in years.
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Saviors (2024)
Saviors finds Green Day doing what Green Day has always done best: delivering fast, catchy, hook-filled rock songs that balance political frustration, personal reflection, and arena-sized choruses.
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Evolve (2024)
Evolve constantly combines styles that shouldn’t work together and somehow turns them into massive, irresistible hard rock and metal anthems.
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Journey Into Mystery #90 (March 1963)
After introducing Spider-Man and Iron Man, Marvel takes an unexpected step backward. Journey Into Mystery #90 is pure anthology-era Marvel disguised as a Thor comic.
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Parallels (2025)
Dreamy, reflective, and full of hidden layers, Parallels finds beauty in the uncomfortable process of outgrowing old versions of yourself.
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Pick-Up Full of Pink Carnations (2024)
The Vaccines write huge, upbeat indie-rock anthems that are secretly full of anxiety, heartbreak, self-doubt, and dread.
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Cyberpunx (1990)
A dystopian, satirical electronic-punk album that’s as danceable as it is dark.
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Big Mistakes Season 1 – Final Thoughts
Big Mistakes begins as a dark comedy about two siblings making bad decisions and gradually evolves into more dangerous crime thriller.
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The Incredible Hulk #6 (March 1963)
The final issue of the Hulk’s original run is a perfect snapshot of the series as a whole: changing powers, changing identities, disposable villains, and a character Marvel still hasn’t quite figured out.
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The Twilight Zone “The Last Flight” (1960)
Time travel, guilt, and redemption collide in a quintessential Twilight Zone story.
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Wall Paper (Torn Down) (2026)
A small, intimate EP that uses atmosphere and slow-building arrangements to create emotional weight. Ambitious without sacrificing intimacy.
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30 Minutes to Get Back: Episode 8
The move to Apple Studios and the return of George Harrison has the Get Back sessions moving forward again.
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Tales of Suspense #39 (March 1963)
The debut of Iron Man marks a turning point for Marvel. For the first time, a superhero feels pulled directly from the headlines rather than mythology, monsters, or science fiction.
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Here in the Pitch (2024)
Beautiful, mysterious, and quietly devastating, Here in the Pitch feels like discovering a lost classic that somehow arrived in 2024. Its songs carry a deep weariness, but also a quiet resilience that refuses to surrender.
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Widow’s Bay Season 1 – First Look
Widow’s Bay feels like Parks and Recreation wandered into a Stephen King novel. The result is a funny, creepy, and surprisingly effective blend of supernatural horror, workplace comedy, and small-town mystery.
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Heritage (1990)
Earth, Wind & Fire embrace a 90s contemporary sound while honoring the influences woven into their history.
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Fantastic Four #12 (March 1963)
Written by Stan Lee – Art by Jack Kirby – Inks by Dick Ayers – Letters by Art Simek If Amazing Spider-Man #1 introduced the idea of a shared Marvel Universe, Fantastic Four #12 proves Marvel knows how to use it. The Fantastic Four’s appearance in Spider-Man was little more than a glorified cameo. Here,…
Everything (not really) 