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read more : Happiness (1990)
UK dance music that blends with pop creating some fun hooks and infectious grooves.
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read more : Fantastic Four #9 (Dec 1962)
Marvel tries its hand at comedy — with mixed results — but shows off its creative flexibility.
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read more : How to Disappear (2024)
A reflective, melodic rock album with elements of shoegaze that sits with grief and memory while carrying a quiet sense of resilience.
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read more : The Pain, My Friend (2026)
A short, genre-hopping EP that covers a lot of ground without losing its identity.
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read more : The Twilight Zone “What You Need” (1959)
A mysterious peddler gives people exactly what they need — but greed complicates the bargain.
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read more : Blood and Honey (2026)
A dense, immersive shoegaze record that pulls in unexpected textures and keeps shifting beneath the surface.
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read more : Strange Tales #102 (Nov 1962)
Anthology story. Superhero twist. Marvel is still figuring out how to blend these two worlds together.
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read more : Lovegaze (2024)
An immersive, layered album that works more as a full experience than something built around individual songs.
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read more : Vigil in a Wilderness of Mirrors (1990)
A theatrical, atmospheric album that builds into something bigger than standard rock.
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read more : The Incredible Hulk #4 (Nov 1962)
Two stories, two directions — one moving forward, one stuck in the past.
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read more : Eternity (2025)
A charming, funny, and surprisingly thoughtful story about love, memory, and the difficulty of choosing what matters most.
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read more : Selling a Vibe (2026)
A fast, hooky indie rock record that leans on power-pop instincts while quietly looking back at where it’s been.
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read more : The Twilight Zone “And When the Sky Was Opened” (1959)
Cosmic horror and existential dread collide in this high-concept sci-fi story.
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read more : Little (1990)
This is stripped-down songwriting that feels completely exposed — and that’s what gives it its power.
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read more : Fantastic Four #8 (Nov 1962)
The importance of Fantastic Four #8 might sneak up on you, but this issue introduces Alicia Masters — who will profoundly change Ben Grimm — and finally makes every page count.
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read more : The Talented Mr. Ripley (1999)
A stylish psychological thriller that has the ability to make you root for the wrong person.
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read more : It’s Sorted (2024)
It’s Sorted by Cheekface made me an instant fan, pairing endless hooks with sharp, subversive humor.
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read more : 3 Songs (1990)
I didn’t realize I was a Fugazi fan—but apparently I am.
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read more : Journey Into Mystery #86 (Nov 1962)
Thor slips back into anthology sci-fi. Kirby pushes forward.
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read more : The Pitt Season 2 — Final Thoughts
Season 2 of The Pitt moves fast, hits hard, and somehow balances long-form storytelling with a pace that never lets your attention drift.
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read more : Tales to Astonish #37 (Nov 1962)
Marvel realizes every hero doesn’t have to tell the same story.
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read more : The Twilight Zone “Judgment Night” (1959)
A suspenseful Twilight Zone story about guilt and wartime consequences unfolding on a fog-shrouded ship.
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read more : Big Sigh (2024)
A dark, captivating record that pulls you in with shifting sounds and keeps you there with its emotional weight.
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read more : 30 Minutes to Get Back: Episode 6
Part 1 of Get Back ends with George’s shocking exit.
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read more : Scrubs Season 10 Revival — Final Thoughts
The Scrubs revival feels true to what made the original special. It’s not perfect yet, but if you love this show, there’s a lot here to enjoy.
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read more : Lost Paradise (1990)
Chunky riffs, jackhammer drums, and vocals that make me think a demon wants to murder me.
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read more : Journey Into Mystery #85 (Oct 1962)
Marvel starts to realize how big Thor’s world can be.
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read more : Your Friends & Neighbors Season 2 — First Look
Season 2 leans further into its take on wealth as performance — even invoking The Great Gatsby — but it feels like it may be stretching itself a bit in the process.
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read more : Sunlight Echoes (2026)
An album of shimmering guitars and layered sound that creates a hazy, immersive atmosphere where dark themes get run through a bright music.
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read more : Taking Drugs to Make Music to Take Drugs To (1990)
A trippy wall of psychedelic drone that fascinated me as often as it frustrated me.
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read more : Tales to Astonish #36 (Oct 1962)
Ant-Man embraces being a superhero, and that makes the anthology formula work.
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read more : Roofman (2025)
A more complex film than it first appears, moving past its slick crime setup into something much more human.
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read more : Hacks Season 5 — First Look
Hacks starts its final season the way it usually does — by putting its characters in an impossible situation and trusting itself to figure it out.
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read more : Iechyd Da (2024)
A fragile, intimate record where sadness and beauty sit side by side, always finding a way to rise.
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read more : The Twilight Zone “Perchance to Dream” (1959)
The series leans into surreal horror as a man becomes terrified to fall asleep.
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read more : Torch of the Mystics (1990)
Twisting, unpredictable, and a little disorienting — but never completely falling apart as you try to keep up.
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read more : Strange Tales #101 (Oct 1962)
Marvel is adding superheroes to everything — ready or not.
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read more : Deardon’s Number (2026)
A dreamy blend of indie pop and shoegaze where jangly Smiths-style riffs meet fuzzy guitars and bright melodies.
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read more : Shrinking — Season 3 Final Thoughts
Season 3 of Shrinking feels like the end of one chapter — landing its story about grief while opening the door to something new.
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read more : The Nice Guys (2016)
A sharp, funny detective story that balances chaos, violence, and character better than it has any right to.
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read more : 1990 (1990)
A fragile, volatile listen that never really lets you settle in — sometimes deeply emotional, sometimes just out of reach.
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read more : Fantastic Four #7 (Dec 1962)
Marvel has the superheroes. It can’t quit the anthology.
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read more : The Twilight Zone “Time Enough at Last” (1959)
Burgess Meredith shines in one of the most iconic and cruelly ironic Twilight Zone stories.
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read more : Blue Sky Mining (1990)
At the height of their powers where melody, politics, and conviction are perfectly aligned.
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read more : Journey Into Mystery #84 (Nov 1962)
Marvel has a god. It doesn’t have the stories yet.
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read more : Head In The Clouds (2026)
Melting Palms deliver a dreamy shoegaze EP where fuzzy guitars and buried pop melodies create a surprisingly hopeful haze.
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read more : House of Love (1990)
Big hooks, dreamy guitars, and a vocal style that gives everything character.
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read more : The Incredible Hulk #3 (September 1962)
Marvel doesn’t know if it created a superhero or a monster yet.
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read more : Melt the Honey (2024)
A warm, fuzzy indie rock album that focuses on mood and atmosphere as much as melody.
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read more : Paradise Season 2 – Final Thoughts
Season 2 pushes Paradise into stranger territory, and while I’m not fully convinced it all works, it stays compelling enough — and tense enough — that I’m still on board.
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